Cameron diaz naked the historical evolution of dating in america

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Could an argument be made that, especially recently, the vehicles she’s been given have been middling, bordering on terrible? Could someone say that her tendency to push her healthy-living philosophies like some insufferable heir to the GOOP throne can be a tad much at times?Yes, though I’d argue that her equally frequent frankness, crudeness, and down-to-earth sense of humor is as refreshing as all that “my body is my temple” garble is repulsing.But maybe she does need someone to plead on her behalf, to beg that her talents are given enough credit in the industry so that our biggest fascination with her no longer pertains to the possible existence of body odor.To that regard, Diaz is next slated to play Miss Hannigan in a remake of Annie, and recent trailers hint at a very different take on the child-raising tyrant than those who grew up on Carol Burnett’s character.Friends, readers, patrons in line for refunds after watching Sex Tape this past weekend: Cameron Diaz deserves better.The incomparable Linda Holmes at NPR hit on this after The Other Woman was released in a must-read piece subtitled, “When Terrible Movies Happen to Funny Actresses.” She wrote that Diaz “continues to be an often funny mix of glamorous and goofy, just like she’s been since she was a young actress-model herself.” The film, Holmes says, is “deliciously, almost poetically, perhaps polemically depressing…a gift-wrapped boon to critics who have been looking for an opportunity to explain the miserable circumstances in which genuinely talented comic actresses—even powerful ones, even proven ones, even ones doing the absolute best they possibly can—still very often find themselves.”If The Other Woman was the cautionary tale about those “miserable circumstances,” then Sex Tape is its disaster-story sequel.It lacks any real raunch at all, actually, instead playing like slapstick Stooges comedy, but with the violence and four-letter words dialed up in order achieve an R-rating. And don’t pretend that Cameron Diaz is not talented.

Or maybe I should say that I’m mad at Hollywood, that this is the best it can offer Cameron Diaz, an actress I’d argue is unique in her ability to appeal to mass audiences and front blockbuster franchises while remaining utterly resistant to typecasting.

Well, I haven’t had much to drink yet, but I’m still not ashamed to announce that I love Cameron Diaz, and have proudly defended her against detractors who have told me they find her personality too annoying, her movies too slight, and her acting abilities lacking.

I can’t be alone, either, as her box-office record speaks for itself.

That career, by the way, turns 20 years old next week with the anniversary of her tongue-wagging debut in The Mask.

Yet two decades since she worked every inch of that red mini-dress, it seems that Diaz has become the Hollywood equivalent of the Black Eyed Peas, a band that everyone bashes at the water cooler but clearly listens to in private—judging by their record sales—and most definitely dances to unabashedly after a few cocktails at the bar.

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